
鍾嘉駿擅長在畫布空間內活用並集合不同的繪畫風格,在此階段的創作中,藝術家透過壓克力、蠟筆與炭筆等繪畫媒材呈現不同空間,並以立體派風格的素描、超現實主義般的符號佈局,以及極簡硬邊的扁平色塊召喚平面性。透過不同繪畫表現,鍾嘉駿藉此在畫面呈現那些內藏於生命與自我意識中的解離、荒謬與疏離感。
CHUNG Chia-Chun is adept at combining different painting styles on paper. In this stage of creation, he uses acrylic, crayon, charcoal, and other mixed media to present different types of space in his artworks, juxtaposing the cubist-style figure sketches with surrealistic symbol layouts and the flatness of minimalistic hard-edge colored blocks. Through different painting expressions, CHUNG Chia-Chun subtly depicts the dissociation, absurdity, and alienation hidden in life and self-consciousness in his works.

本次展覽的雕塑創作,藝術家楊宗嘉以自身生命體驗為起點,與成長過程中陸續開啟的身體感知對話,一路建構而成的內心世界為主軸,藉由媒材特質表達人類年幼的無能與後成人的無害,以及新時代人們共存的易碎體質。
In this exhibition, artist Yang Zong-Jia uses his personal life experience as the starting point of his sculpture. Since his childhood, he has been conscious of the inner world within his mind, feelings, senses, and body throughout the years and uses it to construct as his sculpture’s main constitute. He uses the characteristics of the media to display the incompetence of the young and the harmlessness of the adults.


「在物派誕生的1968至1969年間,日本當代藝術的表現手法從繪畫、雕刻轉變成平面、立體,這個重大的轉捩點上,身為『幻觸團體』主要成員的飯田昭二(Iida Shoji),極可能就是影響『物派』誕生的關鍵藝術家。」“During the period from 1968 to 1969 when Mono-Ha was born, the expression of Japanese contemporary art significantly changed from painting and sculpture to two-dimensional and three-dimensional. At this major turning point, as the main member of the Group GENSHOKU, Iida Shoji is very likely the key artist that influenced the birth of the “Mono-Ha”
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曾兩度受邀威尼斯雙年展的台灣當代重量級藝術家侯俊明,以其強烈鮮明的圖像與文字,描繪紀錄二十多年來香港人在其抑鬱處境中,如何嘗試以「be water」的態度,培力出一種面對個人情欲、乃至對抗政治壓迫的身體自主性。
Hou Chun-Ming is a contemporary Taiwanese artist who has been invited twice to the Venice Biennale, as a representation of Taiwan. Using impactful and distinct images, and vivid colors and texts, Hou Chun-Ming depicts the environment Hong Kong people have been living in for the past twenty years. He portrays Hong Kong people’s attitude of how to “be water” towards lust and political oppression.


物派與後物派收藏展 Mono-ha and Post Mono-ha
收藏展|Collection Exhibition
Artists: 斎藤義重Yoshishige Saito、関根伸夫Nobuo Sekine、菅木志雄Kishio Suga、
小清水漸Susumu Koshimizu、川俣正Tadashi Kawamata

《殘存一點氧氣》周永忠影像裝置展 Residual Air – Chou Yung Chung Solo Exhibition
藝術家周永忠本次展覽的作品當中,畫面裡散佈著空氣稀薄的窒息感,與此同時透露出一絲希望
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