飯田昭二 Iida Shoji

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Overview

飯田昭二(1927-2019)是一位藝術思想家、是物派的啟蒙者之一,為「幻觸」的成員之一,他極可能啟發了日本劃時代的當代藝術理論。
「在物派誕生的1968至1969年間,日本當代藝術的表現手法從繪畫、雕刻轉變成平面、立體,這個重大的轉捩點上,身為『幻觸團體』主要成員的飯田昭二(Iida Shoji),極可能就是影響『物派』誕生的關鍵藝術家。」藝評家本阿彌清於2020年下過如此注解。
〈Half&Half 〉、〈輪迴/Transmigration〉及〈Paper〉這三個系列作品為飯田昭二的重要代表作。

Iida Shoji(1927-2019) is a philosopher of art and a member of the Group “GENSHOKU". He inspired and prompted the epoch-making of the Japanese contemporary art theory, deemed as one of the originators of Mono-Ha.
“During the period from 1968 to 1969 when Mono-Ha was born, the expression of Japanese contemporary art significantly changed from painting and sculpture to two-dimensional and three-dimensional. At this major turning point, as the main member of the Group “GENSHOKU", Iida Shoji is very likely the key artist that influenced the birth of the “Mono-Ha". Art critic Kiyoshi Honnami has made this remark.
The works of “Half & Half”, “Transmigration”, and “Paper” are the three important representatives of Iida Shoji.

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