

「在物派誕生的1968至1969年間,日本當代藝術的表現手法從繪畫、雕刻轉變成平面、立體,這個重大的轉捩點上,身為『幻觸團體』主要成員的飯田昭二(Iida Shoji),極可能就是影響『物派』誕生的關鍵藝術家。」“During the period from 1968 to 1969 when Mono-Ha was born, the expression of Japanese contemporary art significantly changed from painting and sculpture to two-dimensional and three-dimensional. At this major turning point, as the main member of the Group GENSHOKU, Iida Shoji is very likely the key artist that influenced the birth of the “Mono-Ha”
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曾兩度受邀威尼斯雙年展的台灣當代重量級藝術家侯俊明,以其強烈鮮明的圖像與文字,描繪紀錄二十多年來香港人在其抑鬱處境中,如何嘗試以「be water」的態度,培力出一種面對個人情欲、乃至對抗政治壓迫的身體自主性。
Hou Chun-Ming is a contemporary Taiwanese artist who has been invited twice to the Venice Biennale, as a representation of Taiwan. Using impactful and distinct images, and vivid colors and texts, Hou Chun-Ming depicts the environment Hong Kong people have been living in for the past twenty years. He portrays Hong Kong people’s attitude of how to “be water” towards lust and political oppression.


物派與後物派收藏展 Mono-ha and Post Mono-ha
收藏展|Collection Exhibition
Artists: 斎藤義重Yoshishige Saito、関根伸夫Nobuo Sekine、菅木志雄Kishio Suga、
小清水漸Susumu Koshimizu、川俣正Tadashi Kawamata

《殘存一點氧氣》周永忠影像裝置展 Residual Air – Chou Yung Chung Solo Exhibition
藝術家周永忠本次展覽的作品當中,畫面裡散佈著空氣稀薄的窒息感,與此同時透露出一絲希望
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#日救星|This makes my day
收藏展|Collection Exhibition
⽇本當代藝術作品的表現具有多種⾯向,有震撼視覺的張⼒、有治癒⼈⼼的溫潤、有哲學思考、亦有探尋東⽅禪學的精神